One of the first things Alfonso was really clear about was the fact that we were operating in a vacuum. The stuff we’re gonna be dealing with – vibrations and those sorts of sounds and low frequency kind of rumbles you might hear within a space suit – all of a sudden, this world opened up, and what could music be in that environment?

The visuals are incredibly beautiful, but equally, it’s the most terrifying thing you’ve ever seen in lots of ways. So the music had to do both of those things and feel kind of very organic and very textural, but equally kind of help your stomach to drop when things were spinning around you.


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